Music
Eurovision Odds – Look Mum No Computer
The countdown to the Eurovision Song Contest 2026 is well under way, with the Grand Final scheduled for 16 May. Most competing entries are expected to be confirmed between early February and mid March, meaning the betting market is already reacting to speculation and national selection buzz.
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Early in the cycle, Finland were installed as favourites despite their entry not being confirmed until the end of February. Greece, represented by Akylas, also attracted strong support, while Sweden once again sit prominently in the market as they prepare to confirm their act via Melodifestivalen. Felicia’s song My System has been heavily backed to win the Swedish selection.
The BBC has confirmed that the United Kingdom will be represented by Look Mum No Computer, an experimental electronic artist and YouTuber based in Kent. The choice signals a bold approach as the UK looks to improve on recent results.
| Country | Odds |
|---|---|
| Finland | 9/2 |
| Greece | 11/2 |
| Sweden | 8/1 |
| Israel | 17/2 |
| Italy | 9/1 |
| Denmark | 10/1 |
| Bulgaria | 12/1 |
| France | 16/1 |
| Ukraine | 20/1 |
| Cyprus | 22/1 |
| Estonia | 22/1 |
| Malta | 22/1 |
| Luxembourg | 22/1 |
| Switzerland | 22/1 |
| United Kingdom | 22/1 |
| Lithuania | 22/1 |
| Austria | 25/1 |
| Poland | 25/1 |
| Czech Republic | 28/1 |
| Belgium | 33/1 |
| Norway | 33/1 |
| Croatia | 33/1 |
| Australia | 33/1 |
| Latvia | 40/1 |
| Azerbaijan | 40/1 |
| Armenia | 40/1 |
| Georgia | 40/1 |
| Moldova | 40/1 |
| Germany | 50/1 |
| Romania | 50/1 |
| San Marino | 66/1 |
| Serbia | 66/1 |
| Portugal | 66/1 |
| Montenegro | 66/1 |
| Albania | 66/1 |
At the top of the outright market, Israel lead the way at 7/2. Israel have developed a reputation for slick staging and contemporary production, regularly scoring well with both juries and televoters. Close behind at 9/2 is Finland, who have embraced bold and distinctive entries in recent years to great effect.
Greece sit third at 7/1, often thriving with strong vocals and dramatic staging. Sweden are priced at 8/1 and, given their track record of polished pop entries, remain a serious threat once their final song is unveiled.
Italy are available at 10/1, reflecting their consistent run of high quality performances in recent contests. At 12/1 sit Malta, Bulgaria and Ukraine. Ukraine in particular are rarely far from the mix and have shown a consistent ability to connect emotionally with audiences across Europe.
France complete the leading pack at 14/1, with bookmakers anticipating that rehearsals and early live performances could yet trigger notable market shifts.
With Israel narrowly ahead and Finland close behind, the 2026 contest in Vienna is shaping up to be one of the most competitive renewals in recent memory. The market remains fluid and momentum could swing sharply once the full line up of songs is revealed.
The John Lewis Christmas advert only dropped on Tuesday but its emotional new soundtrack is already shaking up the festive betting markets, writes Dave James.
Bookies have slashed the odds on Labrinth’s version of Where Love Lives becoming the 2025 Christmas Number One, cutting it from 25/1 to just 3/1 after an explosion of online searches, Shazams, and playlist adds within hours of the ad’s release.
This year’s advert, titled “Where Love Lives,” tells the touching story of a dad and his son who find their way back to each other through the gift of music. It’s based on the simple insight that as a nation, we often struggle to express how we feel but at Christmas, something in us wants to try.
At the emotional heart of the film is a reimagined version of Alison Limerick’s 1990s house anthem Where Love Lives, slowed down, stripped back, and beautifully rebuilt by Labrinth into a soulful reflection on connection, nostalgia and love.
Within hours of the advert’s debut, Labrinth’s version began trending across TikTok, YouTube and Spotify, with fans describing it as “the most moving John Lewis soundtrack yet.”
Bookmakers now believe the momentum could carry the track all the way to the top of the Christmas charts:
Labrinth’s Where Love Lives Odds
| Market | Odds |
|---|---|
| To be 2025 Christmas Number One | 3/1 |
| To reach UK Top 10 | 5/1 |
| Labrinth’s Where Love Lives to reach UK Top 40 | 6/1 |
Dave James, spokesperson for What Are The Odds said:
“Every year, a John Lewis soundtrack becomes the emotional heartbeat of Christmas but Labrinth’s version feels like a genuine contender for Number One. It bridges generations with a track that’s both nostalgic and deeply moving.”
In a nod to the original, John Lewis has released both versions of Where Love Lives on an exclusive black 12” vinyl, available only in-store.
Side A features Alison Limerick’s iconic club classic, while Side B showcases Labrinth’s reimagined version from the advert, a perfect gift for music and Christmas fans alike.
Despite Labrinth’s late charge, it’s Wham! who remain firm favourites at 1/2 with Last Christmas a seasonal juggernaut that finally claimed its first Christmas Number One in 2023, nearly four decades after its release.
With streaming figures expected to soar again this December, punters still believe George Michael’s timeless classic will reign supreme.
However, the buzz around the John Lewis advert means Labrinth could yet mount an upset, echoing the chart success of past festive soundtracks such as Lily Allen’s Somewhere Only We Know and Aurora’s Half the World Away.
Christmas Number One Odds
| Artist / Song | Odds |
|---|---|
| Wham! – Last Christmas | 1/2 |
| KPop Demon Hunters | 2/1 |
| Labrinth – Where Love Lives | 3/1 |
| Ed Sheeran | 4/1 |
| Sabrina Carpenter | 6/1 |
| Taylor Swift – The Fate of Ophelia | 8/1 |
| LadBaby | 10/1 |
| Sidemen | 12/1 |
From Lily Allen’s Somewhere Only We Know to Aurora’s Half the World Away, John Lewis has a rich history of turning its adverts into chart-topping moments.
With Labrinth’s Where Love Lives, the retailer might just have found its most powerful soundtrack yet and if the early betting markets are right, it could be heading straight for Christmas Number One.
Speculation over more Oasis reunion shows has reached fever pitch after Liam Gallagher hinted at Wembley that fans could see the band back on stage again in 2026.
Online bookmakers have now slashed the odds on Oasis returning to Knebworth, the site of their legendary 1996 concerts to just 1/5.
The rumours follow the band’s triumphant string of reunion shows, which have been hailed as one of the biggest comebacks in music history. Fans have flooded social media with excitement and theories about what could be next for the Manchester icons.
Oasis are now 1/5 favourites to play Knebworth again next year, while they are even money (1/1) to perform at Manchester’s Etihad Stadium, marking 30 years since their iconic Maine Road gigs.
Such odds reflect growing confidence that the Gallagher brothers are gearing up for another major announcement.
“Next year marks 30 years since the brothers’ legendary Knebworth shows, and their unforgettable nights at Maine Road. With such a milestone ahead, it would be the perfect time for Oasis to extend their record-breaking tour after the phenomenal reaction so far.”
The reunion has already reignited a wave of nostalgia across the UK, with millions clamouring for tickets and venues selling out within minutes.
Industry insiders believe a return to Knebworth, a site forever linked with the band’s 90s dominance would be the ultimate celebration of their legacy.
Fan speculation intensified further when Liam Gallagher deleted a cryptic X post hinting at “unfinished business,” while Noel Gallagher dodged questions about a Knebworth return during a recent interview.
The brothers’ newfound chemistry on stage has only fuelled hopes that more shows are inevitable.
For now, the odds suggest something big could be in the works. With bookies pricing a Knebworth comeback as near-certain and Manchester gigs at 50-50, Oasis fans may want to start marking their 2026 calendars because the Gallagher brothers could be preparing to make history all over again.
Taylor Swift has lifted the lid on her fears that happiness might kill her creativity – but her brand new album The Life of a Showgirl proves she can still write a smash without heartbreak.
The superstar, 35, admitted she once worried her best lyrics came from turbulent relationships, but now says she’s learned that contentment can be just as inspiring. The confession has reignited the age-old debate about whether misery really makes music magic.
To settle the score, one expert has gone so far as to crunch the numbers – and even put betting-style odds on whether heartbreak or happiness is more likely to create a hit.
Dave James from Whataretheodds.co.uk comments:
“We’d now make heartbreak a 3/1 outsider when it comes to producing a hit, compared with odds-on at 1/2 for songs born out of happy times. Taylor’s new record is living proof that joy doesn’t kill creativity – in fact, it often fuels it.”
He added: “Listeners want escapism and optimism right now. In 2025, we’re seeing a trend where upbeat anthems are outperforming ballads by nearly 40% on streaming platforms. It’s clear that fans are craving feel-good music.”
Music psychologist Dr Karen Evans agrees, adding: “There’s a misconception that great art has to come from pain. But happiness can give artists a fresh perspective and the freedom to experiment – which often resonates even more with listeners.”
She continued: “Emotion is emotion — whether it’s joy or heartbreak, both can inspire. But it’s refreshing to see someone like Taylor openly embracing happiness as part of her creative process.”
Music blogger and pop culture writer Leanne Peters added: “The old idea that artists have to suffer to succeed feels outdated. People connect to authenticity more than sadness now — and Swift’s latest album captures that perfectly.”
Fans have also weighed in. One Twitter user posted: “Taylor’s proven you can still write a banger without a breakup – she’s basically rewritten the pop rulebook.” Another joked: “If happiness sounds like The Life of a Showgirl, then I hope she stays happy forever.”
The theory is backed up by other stars. Adele has spoken about how motherhood reshaped her songwriting, while Ed Sheeran penned global hits about family life.
Pharrell’s Happy became one of the best-selling singles of the 21st century – proof that upbeat anthems can dominate just as much as ballads.
With The Life of a Showgirl already tipped to break records, it seems the odds are stacked firmly in favour of happiness – and Swift’s latest work might just change the way we think about where hits really come from.